Like corporate drones determined to cut loose every third Friday whether they need to or not, take the time to schedule semi-regular journeys into the unknown., the 2014 successor to their down-and-dirty international blockbuster, is one of those trips, a churning psychedelic excursion that slowly pulses in any color you like. Those colors spread out slow and low as gets underway via 'Weight of Love,' sounding not at all unlike 's 'Breathe in the Air,' a deliberate comparison return to often throughout the album, letting it decorate fleeting moments and infuse full songs ('Bullet in the Brain,' the first single pulled from the LP, hits many of the same notes). Looked to space but, like the Ohio natives that they are, ' concerns are earthbound. Primarily sings songs about love lost and won, sprinkling in a little bit of lust along the way, and he and certainly share a love of soul and groove, something that's rarely heard in music as trippy as this. Time and time again throughout, and turn toward those rhythms without abandoning the psychedelic swirl that gives the album its distinctive flavor. Unlike 2008's -- the last time decided to get out, way out (and not coincidentally their first collaboration with ) -- this has momentum, a drive provided by those heavy rhythms (they escalate so much, '10 Lovers' flirts with glitter-ball disco) and sheets of outsized fuzz guitars that cut through the haze.

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Songs stretch out longer here than they have on any previous LP, but this doesn't feel indulgent due to the precision of the production; things may seem to drift but every bit of fuzz and echo is in its right place. Initially, this immaculately shaded production draws attention to itself but, in time, reveals that underneath its surface flash it's a quietly adventurous and substantive record. The Black Keys retain their fascination with southern soul of the late '60s -- the title track is coolly insinuating, 'Fever' stomps and shakes -- but where pushed these retro-fantasies to the center, they're merely the bones of this record, the solid structure upon which the band and choose to expand. Although the closing 'Gotta Get Away'-- its title borrowed from both and but the song sounds like neither group -- illustrates how good the duo is when they keep things grounded in the garage, the rest of Turn Blue impresses because it does what all great bands should do: it captures a band stretching while always sounding like themselves.

The above comments pay tribute to Stevie perfectly; what more can be said? The guy plays nearly every instrument imaginable with affinity and performs and records with such an uncanny ardor -- such a love and passion for music. While some songs like 'I was Made to Love Her' and 'Superstitious' are irresistibly soulful tunes, Wonder had a knack for contrasting this pace with melancholic masterpieces like 'Blame It on the Sun' or 'A Place in the Sun.'

Even his 80s era was highly regarded and respected. I shouldn't even begin compiling a list of favorites; there are just too many. Hands down, one of the greatest recording artists of all time. He's got my respect forever. What can one say about Stevie that already hasn't been recited? The words/phrases 'genius', 'God given talent', 'from a different planet', 'Soul music legend' etc all seem appropriate.

The guy has been singing for so long right back to the early days of Motown as a child prodigy, up to the present. Although many younger people remember or associate Stevie with his music from the 80s, which was all very accessible and commerical music, his real creative peak and genius came to the fore during the 70s. His three albums in particular 'Innervisions', 'Fulfillingness First Finale' and 'Songs in the Key of Life' are landmark albums in Black music, Soul Music and any genre for that matter of popular music.

The guy can play (& does on most of these albums) any instrument, he writes, he produces, he sings. Virtual dj numark idj3 serial number. He's just an awesome talent and either (or all) of these 3 albums would be in most self-respecting critics top 100 albums of all time.