Sonja Marinkovic Istorija Muzike Pdf Viewer

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2013.().,.,,.,.,.,.,.,,,, 4.,, 1213. 10, 11 -- I, 1 2,, 15.30 -. XX XXI 5: I/2, 2,. - I/3, 2, 14 j: ( 50 )6 II, 1 7,, 15.30 j Saa BoidareviFORMALNI TIPOVI U UMETNIKIM OBRADAMA NARODNIH PESAMA ZA JEDAN GLAS I KLAVIR SRPSKIH AUTORA XIX I PRVE POLOVINE XX VEKADanijela StojanoviKOMPOZICIJA SELSKA SVITA S. STOJKOVAKAO STVARALAKI PRODUKT NARODNOG DVOGLASNOG PEVANjA XIX XX..,.

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Pajaiboga@kbcnet.rs: SOGGETTO. Le Istitutioni harmoniche (1558) soggetti, 15.,..Zoran BoaniUniverzitet umetnosti u BeograduFakultet muzike umetnostiKatedra za muziku teorijuzbozanic@gmail.comO PROBLEMU TERMINOLOKOG ODREENJA OSNOVNIH VRSTA IMITACIJESagledavanje raznih aspekata imitacione tehnike, u veoj ili manjoj meri je zastupljeno u gotovo svim udbenicima kontrapunkta. Meutim, esto se u njima pojavljuju znaajne razlike u pristupima definisanju imitacionih parametara, klasifikovanju, imenovanju itd. Zato je u ovom radu dato kritiko sagledavanje poimanja imitacije, posebno njenog odreenja po trenutku nastupa risposte. To je realizovano analizom udbenike literature.

Detektovani su problemi povezani sa terminolokim pitanjima i razmotreni mogui naini njihovog prevazilaenja. Info@bolyaannamaria.hu: ( ), (),. ( ) () () - (BA) (MA):, ( ),, 16 e o -: XX, -,,, sasabozidarevic@gmail.com 19. 20., (, -,, a ),. () ( ) ( ) 2.

Dsarajli@gmail.com bilja.pavlovic@yahoo.co.uk 19. Cvetkos@open.telekom.rs.,,.,, (,, ) (, ).,,,. Stfnale@ptt.rs 20.

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RylskyNational Academy of Sciences of Ukraineyarysa14@mail.ruBAROQUE TRADITION IN THE CONTEXT OF CONTEMPORARY PERFORMING ART This article is devoted to the popular link in contemporary performance authentic performances of Baroque and Renaissance works on original or similar old instruments. In Europe the widely used term historically informed performance (historically informed performance practice or HIPP) reflects the performers ability to interpret the original musical text. Interest in the authentic sound of early music arose at the turn of the 19th and 20th centuries in connection with the researching of Arnold Dolme Music performance XVII-XVIII centuries (The Interpretation of the Music of the 17th and 18th Centuries, London, 1915). Author, Arnold Dolme (1858-1940) reconstructed copy of the old instruments and performed the music of those periods by himself.Achievements in this area by well-known musicians K.