Slaves Graves And Ballads Rar
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If the left can politicize everything, than goddamn it, so can I! Below is a video of the Monks performing their classic “Boys Are Boys and Girls Are Choice.” The song is from their 1966 LP, Blank Monk Time, one of the many fine additions to the more obscure cannon of 60s rock, right along side The Village Fugs Sing Ballads of Contemporary Protest, Point of Views and General Dissatisfaction and The Fugs by the Fugs, The Psychedelic Sounds of the 13th Floor Elevators and Easter Everywhere by the 13 Floor Elevators, The Seeds and A Web of Sound by the Seeds and Here Are the Sonics!!! And Boom by the Sonics. You can read all of the Monks’ biographical trivia at their. The important thing to know is that they dressed like monks when they performed, and they had a unique approach to the two and half minute song formula that focused on rhythmic hooks and utilized the fun “chinka-chinka” sound of Dave Day’s banjo, somehow making the songs so stupidly catchy that there are times when I could listen to Black Monk Time on repeat for days at a clip. Also their sound influenced the deliberately repetitive “vamping” of German “kraut rock” bands like Can and Neu!, and the Fall site the Monks as a huge influence and have covered several of their songs.
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Now, obviously, there’s nothing political about the song “Boys Are Boys and Girls Are Choice”; it’s just a song about the joy of being a guy going after a girl (presumably when it was more fun and wouldn’t get you accused of rape). But in the current year, when “transgender” freaks are pushing an agenda that says a person can now choose his, her or its gender, rather being ASSIGNED a gender at birth by, ya know, having a set of cock ‘n’ balls or a wet, oozing vagina, the song BECOMES political. On top of that, it celebrates heterosexuality; I mean, if you’re a straight guy, girls are choice, aren’t they? Provided they’re not fat or ugly, that is. And don’t get mad at me for saying that; being fat and ugly are problems that are relatively easy to fix. Ironically the people at Light in the Attic records, who released phenomenal vinyl and CD reissues of, probably think I’m a “transphobic” bigot for writing this piece. Or maybe they secretly believe in the song’s message and are trying to push the Monks’ evil and vile agenda.
Slaves' Graves and Ballads by Dirty Projectors, released 06 August 2004 1. Somberly, Kimberly 2. On the Beach 3. (Throw On) The Hazard Lights 4.
With some BernieBro “pulling an A-Team” – my new colloquialism for firing a lot of rounds at no particular target and hitting almost nothing – on Majority House Whip Steve Scalise and the recent outrage surrounding Kathy Griffin and her holding a prop of what looked like Donald Trump’s bloody decapitated head, liberals have been feigning outrage, claiming, “GAWSH, they don’t represent US!!! We may HATE Donald Trump and any politician with an ‘R’ by his or her – actually it’s zhe’s, fascists! – name, but we certainly don’t advocate using violence against them!” I believe that these people are 100% sincere in their claim, and I also believe that they’re sincere when they say things like “I may not agree with what you say, but I’ll defend to the death your right to say it.” In fact, I have several friends who identify as liberal, leftist and even “left-leaning” who know I voted for Donald Trump and don’t think I’m the antichrist for doing so. We have many fine conversations about a variety of topics from films, music and the arts but, when it comes to politics, many of my liberal or left-leaning friends balk and guffaw at certain claims that I make. Some of their choice responses include the following: “Fine, Edwin, if leftism is a mental disorder, than I guess we’re your mentally ill friends!” “Yeah, SURE, the Democrats JUST want to take your guns! I’m still taken aback when people act surprised when they find out that Johnny Ramone was a Republican.