Apr 27, 2013 - break free from winter dormancy. It is in the spring that. Stage for globally rare and endemic plant species to thrive. These 60 gallon plastic drums are used to collect. Upper Raritan Watershed Association. Emile DeVito. The drum kit is a beautiful vintage Gretsch and was mic’d up with everything Greenmount Studios could throw at it, including various rare broadcasting mics, ribbons, valves and an inverted NS-10 sub mic.

Mini attack urban combat hacked arcadeprehacks unblocked. – For “ Heads Or Tales“, his 4th CD as a leader (and first for PosiTone Records), tenor saxophonist Tom Tallitsch convened a group that features Jared Gold (Hammond B-3), Dave Allen (guitar) and Mark Ferber (drums). Gold’s fine organ work, paired with Allen’s strong single-note lines and supported by Ferber’s insistent percussion, truly set the stage for this music.

Tallitsch has no issue with sharing the spotlight so every player gets his due. Allen shines each time he gets to solo, no more so than on “ The Lummox.” Tallitsch’s tenor style hearkens back to the sounds of early John Coltrane and Don Byas. Unexpected end of part file uploads. You can hear a blues tinge yet he never overplays or just “blows” – his solos “sing”, even on faster tracks such as the high-speed drive of “ Double Shot” or the funky, James Brown-influenced “ Flat Stanley.” The ballads, especially “Perry’s Place“, show a tone as sweet as Lester Young and melodic inventions in the manner of Ben Webster. Yet, Tallitsch is neither a traditionalist nor a throwback. The rhythms that Gold and Ferber create for these original pieces (the sole exception, the emotionally charged ballad reading of Neil Young’s “ Don’t Let It Bring You Down“) are up-to-date without kowtowing to “trendiness.” No need to flip a coin, “ Heads Or Tales” is a winner any way you listen to it. I continue to be impressed with Jared Gold’s versatility and Mark Ferber’s stunning percussion while Dave Allen, who has released several CDs on Fresh Sounds New Talent, adds a sound that works well with the organ and tenor (his rhythm work is also quite good.) Tom Tallitsch has created a strong program with a group that would “burn down the house” in a club setting.

– Jazz musicians are often lauded for how different they are from one another, but all of the most notable musicians who wear the jazz label actually have one thing in common: expertise in telling a story. When theory, technique and stylistic divisiveness are all removed from the equation, musicians are left with the not-so-simple task of creating aural narratives worth following, and plenty of them can be found on Heads Or Tales. Tenor saxophonist Tom Tallitsch put together a program of original music that’s chock full of intriguing melodies and strong solo statements, highlighting his abilities as player, composer and sax-wielding storyteller. He zigzag’s his way through fast passages like an expert race car driver, delivers soothing streams of sound, and brings intensity and suspense into the picture. His tenor saxophone voice is neither too bright nor too dark, and his well-balanced sound draws attention at every turn.

Tallitsch, appropriately enough, went with a foursome for his fourth outing as a leader, and each musician brings something different to the date. Drummer is in the driver’s seat for the majority of the program, acting as an accelerant (“Coming Around”), groove-maker (“Flat Stanley”), stylistic gear shifter (“Double Shot”), and suggestive painter. Organist and label mate is the ultimate colorist and sound sculptor, delivering brilliant musical non sequiturs, liquid lines and engaging solo statements. He’s a tonal chameleon who’s capable of altering his sound at will, and that skill serves the music well. Guitarist ‘s personality is often overshadowed when the ensemble is moving along at full steam together, but as a soloist, he proves to be a nimble-fingered wonder.

Clarity is clearly a priority for Allen, whose lines are always clean and bright. While the first eight tracks on the album highlight Tallitsch’s writing, he takes on the role of interpreter for an album-ending trip through ‘s “Don’t Let It Bring You Down.” Plenty of musicians might have felt the need to dress this song up in complicated clothing, but Tallitsch keeps things simple, further demonstrating a firm understanding of the art of expression and communication that exists at the very core of this music. Track Listing: Coming Around; Tenderfoot; Double Shot; Perry’s Place; Flat Stanley; Travel Companion; The Lummox; Dunes; Don’t Let It Bring You Down. Personnel: Tom Tallitsch: tenor saxophone; Dave Allen: guitar; Jared Gold: organ; Mark Ferber: drums – 5 Stars – Saxophonist Tom Tallitsch leads a quartet that includes organ, guitar and drums, a lineup that conjures the expectation of a grooving, soul-jazz-blues amalgam along the lines of Hank Crawford, Jimmy McGriff and Jimmy Ponder. But Tallitsch is a post-bopper at heart, who plays tenor with the pivoting angularity of Joe Henderson. He is also a fine composer, interested in creating interactions that are more harmonically sophisticated and melodically pliable than the groovy tropes of organ-laden “soul jazz.” Head or Tales benefits from the mating of these virtues. The absence of a bassist puts some air beneath the ensemble, in part because organist Jared Gold, a mainstay on Posi-Tone label recordings, plays with admirable restraint while fleshing out the rhythm.