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Brian was born in Tucson Arizona. He grew up in a family of musicians and artists. His father and brother played the drums.

With all that music around the house, and drums all over the place, it was natural for Brian to start playing the drums as well. Brian was two and a half years old, beating up the furniture and banging on anything that didn't move. After some years of playing and practicing, Brian began his professional career as a drummer at the age of thirteen. In elementary and Jr.high School, Brian also played the cello. That was one instrument that Brian did not feel very comfortable playing. One day in orchestra class at jr.

High, the orchestra director came over to Brian and said, hey Brian, you see that big bass over there in the corner? You know that nobody is playing it. Descargar diccionario biblia vila escuain pdf editor online. Don't you want to play that big cool bass over there?

You see, the orchestra director had a plan. He thought that having one bad bass player was better then not having one at all. That was his way of getting Brian to stop trying to saw his cello in half! That day was a blessing in disguise.

Brian didn't realize that he had the gift for melody as well as rhythm. With his drumming background, and all this new melody available to him from the bass, Brian knew that this was going to be his path.

From ages fourteen to eighteen, Brian locked himself up in a room and practiced day and night. Testing out of high school early and devoting all his time to music, for the next few years Brian played every type of gig imaginable. Quite often Brian would play five to seven nights a week with several different bands.

Brian's first big break came in 1979 when Marc Johnson, the wonderful bassist with the great jazz pianist Bill Evans, heard Brian play. Several months later while on tour, Marc ran into legendary jazz saxophonist Stan Getz. Stan was looking for a new bass player and asked Marc if he knew any new young players. Marc told Stan about Brian. Brian auditioned for Stan and joined the Stan Getz quintet in December of 1979.

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Brian had just turned 19 and spent nearly a year touring the world with Stan and his band. Since then, Brian has toured, performed and or recorded with some of the greatest artists of our time including the likes of.

Few are the bass players who the average music fan can name. There are simply not that many who stand out as more than a member of the rhythm section, however tight... These may be the greater part of a list that, for most, is no larger than one hand long. Shorter still is the list of bassists who can take their playing one step further. Is one such bass player. Having originally begun his musical career on drums, soon switched to classical upright bass. Though this switch was more or less his choice, 's next musical move was more demanded than decided: in order to get a gig with 's band, dropped the upright, picked up an electric four-string and, leaving home on his 19th birthday, started down his own musical road less taken.

Since then, has played with a long list of musical giants, from to, from to. He has also been heard (and seen) in many popular films and programs, from The Fabulous Baker Boys to Melrose Place. As has picked up more and more musical partners, he has also picked up more and more playing styles. In the process, however, he has been able to drop a major piece of the modern jazz ensemble -- as emphatically stated in the liner notes to, 'THERE IS NO GUITAR ON THIS ALBUM' (sic). Instead, uses a variety of bass bodies and tunings to match registers usually reserved for the six-string. As a result, he is able to match the high vocal line on his convincing cover of 's 'September' and also to offer the Jobim-ish pizzicato of 'A Love Affair.'

Though most of the album consists of programmed 'smooth jazz' selections that may turn true jazz fans and aficionados off, 's versatility and talent are strong enough to command the assistance of modern day giants like,,,,. Despite a few sappy synthesized songs, is a solid demonstration of a near unique talent.